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I was one of those kids who drew constantly throughout childhood, but as an adolescent I let that joy languish until I arrived at college and realized I had no idea why I was there. After some bewildered self-questioning — I had the privilege of being able to ask myself, "What do you actually like to do?" — it finally dawned on me that, besides playing for the Detroit Red Wings, creating Art was the one thing I had truly cared about in my brief life. I transferred to the School of Art and received a BFA from the University of Michigan, concentrating on painting and photography, then shifted attention and continued through Doctoral Candidacy in Film Studies at Michigan. I then worked in the Film Industry as an Assistant Director for seven years on projects such as Goonies and Top Gun, and have been apologizing for Howard the Duck since 1986. After walking away from Hollywood to be the parent-at-home for my sons, I became a teacher of Photography and Film Studies at a public high school in Sacramento, California, where I also taught Studio Art, American Literature, and Critical Thinking. Eventually it was the teaching that brought me back to a passion for creative image-making. My deepest influences in painting have been Paul Cézanne, Edward Hopper, and Gregory Kondos; I feel their push-pull effects of line and shape when finding a 2-dimensional structure in the 3-dimensional world with every canvas I start and every camera frame I compose, moving back and forth between brush and lens as I'm compelled to capture the light and rhythms of California and its endless visual treasure.
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